Recent findings from the INH Archives reveal a set of declassified documents known as the Aurora Pact, an unacknowledged treaty brokered between several global powers and fairy emissaries during the Cold War. While officially portrayed as diplomatic stabilization efforts, analysis suggests these negotiations involved supernatural influence namely fairies exchanging magical subterfuge for political sway. The documents point to key vampire diplomats who intervened covertly, ensuring that humanity retained autonomy during what could have been a global enchantment campaign
A recent investigation by INH archaeomystics unearthed a peculiar find in the ruins of Pompeii: a set of skeletal remains showing clear signs of fairy physiology elongated phalanges, non-human dentition, and traces of glamour-infused pollen sealed beneath volcanic ash. This supports the long-standing theory that the eruption of Vesuvius was not merely natural disaster, but a targeted vampire effort to neutralize a major fairy hive that had embedded itself into Roman nobility. What appeared to be divine punishment may have been a necessary supernatural strike.
An ongoing media analysis project at the Institute has traced fairy-influenced messaging in several films of the 1940s–1960s. Using spectral light filtering and script dissection techniques, INH researchers have identified a pattern of character archetypes ethereal, whimsical, dangerously persuasive women designed to implant pro-fairy sympathies in viewers. Films like The Red Shoes and The Blue Bird may have been seeded projects by glamoured producers working against vampiric influence in cinema. New interviews with retired studio assistants suggest some directors may have been under “enchantment advisement” throughout production.